Spence Test (as modified
by Hurley v. Irish-American Gay, Lesbian and Bisexual Group of
Boston (1995))
To be symbolic speech under the Spence test, conduct
must:
(1) be intended to communicate a message (eliminating
the requirement that the message must be
particularized)(although the message can be a general one and
not a specific one: "a narrow, succinctly articulable message is
not a condition of constitutional protection"); and
(2) be likely, in the circumstances, to be understood by its
intended audience.
The specific language from Spence v. Washington, 418
U.S. 405 (1974), is as follows: "An intent to convey a particularized message
was present, and in the surrounding circumstances the likelihood
was great that the message would be understood by those who
viewed it." However, a later case, Hurley v. Irish-American Gay,
Lesbian and Bisexual Group of Boston, 515
U.S. 557 (1995), involving a parade as a form of symbolic
speech, modified the Spence "particularized message
requirement." In Hurley,
the Court stated:
The protected expression
that inheres in a parade is not limited to its banners and
songs, however, for the Constitution looks beyond written or
spoken words as mediums of expression. Noting that
"[s]ymbolism is a primitive but effective way of communicating
ideas," West Virginia Bd.
of Ed. v. Barnette, 319 U.S. 624, 632 (1943), our
cases have recognized that the First Amendment shields such
acts as saluting a flag (and refusing to do so), id. at 632, 642, wearing
an arm band to protest a war, Tinker v. Des Moines Independent Community School
Dist., 393 U.S. 503, 505 -506 (1969), displaying a
red flag, Stromberg v.
California, 283 U.S. 359, 369 (1931), and even
"[m]arching, walking or parading" in uniforms displaying the
swastika, National
Socialist Party of America v. Skokie, 432 U.S. 43
(1977). As some of these examples show, a narrow, succinctly
articulable message is not a condition of constitutional
protection, which if confined to expressions conveying a
"particularized message," cf. Spence v. Washington, 418 U.S. 405, 411
(1974) (per curiam), would never reach the unquestionably
shielded painting of Jackson Pollock, music of Arnold
Schonberg, or Jabberwocky verse of Lewis Carroll.